Symphony No.2, Op.70 (Van Hoorick, Geert)

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Geert Van Hoorick (2019/1/23)

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Geert Van Hoorick (2019/1/23)

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Publisher Info. Geert Van Hoorick, 2019.
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Sheet Music

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Parts

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16 more: Oboe • English Horn • Clarinet 1/2 (B♭) • Bassoon 1/2 • Horn 1/2 (F) • Horn 3/4 (F) • Trumpet 1/2 (B♭) • Trombone 1/2/3 • Tuba • Timpani • Percussion • Violins I • Violins II • Violas • Cellos • Basses

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Geert Van Hoorick (2019/1/23)

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Geert Van Hoorick (2022/5/23)

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General Information

Work Title Symphony No.2
Alternative. Title
Composer Van Hoorick, Geert
Opus/Catalogue NumberOp./Cat. No. Op.70
I-Catalogue NumberI-Cat. No. IGV 54
Key D major
Movements/SectionsMov'ts/Sec's 4 movements:
1. Moderato
2. Scherzo. Allegro risoluto
3. Adagio sostenuto
4. Finale. Allegro moderato
Year/Date of CompositionY/D of Comp. 2018-2019
First Publication. 2019
Average DurationAvg. Duration 35 minutes
Composer Time PeriodComp. Period Modern
Piece Style Romantic
Instrumentation orchestra
InstrDetail
2 flutes, oboe, English horn, 2 clarinets, 2 bassoons
4 horns, 2 trumpets, 3 trombones, tuba
timpani, snare drum, triangle, bass drum, cymbals, tambourine, glockenspiel, strings
Extra Information The Symphony No. 2 is neo-romantic, pastoral and rather introvert. It is composed in the late romantic tradition, and is scored for a normal sized symphonic orchestra. It consists of four movements. The 1st one is a pastoral and moderately fast movement in sonata form, based on two related themes, in which a short fanfare plays also an important role. The exposition and reprise are largely in the Dorian mode, except from the short introduction in D major. The development section starts around 3’30”, the reprise starts around 7’00”. The 2nd one is a vigorous scherzo in D minor (in which the timpani and other percussion instruments play a major role) with a fairylike trio, that starts around 2’30”. The 3rd movement is a slow and moving cantilena in which the cello solo plays an important role, immediately expositing the singing main theme in B flat minor, that is then further developed (erratum in the score: bar 82 to 83 strings except basses must play the note slurred). The 4th one (or finale) is again a pastoral and moderately fast movement in sonata form, based on two themes; in de 2nd one a (longer) fanfare is dominant. The development section starts around 2’00”, the reprise starts around 4’00”. After the fanfare rings for the last time, a solemn coda in D major concludes the symphony. Digital performance using Sibelius 6 and Garritan Personal Orchestra. The parts of the 4th movement are not yet updated to the last version. Score moving videos on my YouTube channel.