Salve regina, Op.43 (Elsner, Józef)

Movements/SectionsMov'ts/Sec's	1 salve regina
First Publication	1827-28 ca.
Genre Categories	Salve Regina; Hymns; Sacred hymns; Religious works; Antiphons; For mixed chorus, wind ensemble; Scores featuring mixed chorus; Scores featuring wind ensemble; For chorus with orchestra; Latin language

Sheet Music

Complete Score
*#622259 - 1.02MB, 14 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 9×⇩ - Іоахимъ

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Іоахимъ (2020/4/27)

Publisher. Info.	[Warsaw]: Unidentified publisher, n.d.(ca.1827-1828).
Copyright	Public Domain [tag/del]
Misc. Notes	Cover page engraved by F. Putulewicz. The score was published probably by Brzezina. His name is found on the cover lithography of Elsner's De profundis, Op.43 (together with that of F. Putulewicz), and he also published Requiem, Op.42.
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Work Title	Salve regina
Alternative. Title	Salve et in aeternum vale
Composer	Elsner, Józef
Opus/Catalogue NumberOp./Cat. No.	Op.43
I-Catalogue NumberI-Cat. No.	IJE 17
Key	B-flat major
Movements/SectionsMov'ts/Sec's	1 salve regina
First Performance.	1827 ca.
First Publication.	1827-28 ca.
Language	Latin
Dedication	manibus Stanislai et Ignatii Potocciorum, clarissimorum et optime de Patriae ac litteris meritorum civium
Composer Time PeriodComp. Period	Romantic
Piece Style	Romantic
Instrumentation	Voices: mixed chorus (SATB) Wind Ensemble: flute, 2 clarinets, 2 bassoons, 2 horns in E♭, trombone, bass

No opus number in the published score. Opus number from culture.pl: "Salve Regina B-dur, Processio funebris c-moll, Psalmus: De profundis c-moll op. 43 na 3-głosy męskie, 4-głosowy chór i orkiestrę (1827)". This list of works is probably based on Elsner's own list. There are 3 compositions marked Op.43, all for the same occasion, apparently translation of the remains of brothers Ignacy (1750—1809) and Stanisław (1755—1821) Potocki to a new church built by Stanisław's wife Aleksandra (CBN: "Frontispis 'Psalmus De profundis' przedstawia kaplicę w Wilanowie postawioną dla pamięci Stanisława Potockiego przez Aleksandrę Potocką". With this make sense both the church engraving on the cover page of De profundis, and its Latin dedication ("Here is my rest. I will dwell here, because I chose it" etc.). However, the three compositions were published separately, probably for commercial reasons.
Recorded: [1]