La resurrezione, HWV 47 (Handel, George Frideric)

Contents

Performances

Recordings

MP3 file (audio)
Vangi (2017/11/26)

MP3 file (audio)
Vangi (2017/11/26)

Performers Edith Gabry, Anne-Marie Töpler-Marizy (soprano), Emmy Lisken (alto),
Alfred Fackert (tenor), Erich Wenk (bass)
Santini-Kammerchor & Kammerorchester Münster
Rudolf Ewerhart (conductor)
Publisher Info. Club National du Disque CND 960, 1961.
Copyright
Misc. Notes Source: DVG B-255 - 2 disques microsillon 33 t, 30 cm, mono

Album complet

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TN-PMLP44669-DVG B-255 - (1) G. F. Händel - La Resurrezione, HWV 47 - Part 1 (1961)-4781.png

Naxos

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Synthesized/MIDI

Prelude (Act I, Sc.1)

For 3 Trumpets, Timpani and Organ (Rondeau)

MP3 file (audio)
Michrond (2016/10/4)

Performers MIDI
Publisher Info. Michel Rondeau
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Sheet Music

Scores

PDF scanned by D-Mbs
Ivdruiz (2008/7/16)

Editor Friedrich Chrysander (1826–1901)
Publisher. Info. Georg Friedrich Händels Werke. Band 39
Leipzig: Deutsche Händelgesellschaft, 1878. Plate H.W. 39.
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Arrangements and Transcriptions

Prelude (Act I, Sc.1)

For 3 Trumpets, Timpani and Organ (Rondeau)

PDF typeset by arranger
Michrond (2016/10/4)

ZIP typeset by arranger
Michrond (2016/10/4)

Arranger Michel Rondeau
Publisher. Info. Michel Rondeau
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Ferma L'ali

For Organ solo

PDF typeset by arranger
Jdhohulin (2017/6/26)

Arranger Josiah Hohulin
Publisher. Info. Josiah Hohulin, 2017.
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General Information

Work Title La resurrezione
Alternative. Title
Composer Handel, George Frideric
Opus/Catalogue NumberOp./Cat. No. HWV 47
I-Catalogue NumberI-Cat. No. IGH 425
Movements/SectionsMov'ts/Sec's 2 acts
Year/Date of CompositionY/D of Comp. 1708
First Performance. 1708-4-8
Librettist Carlo Sigismondo Capece (1652-1728)
Language Italian
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation 2 sopranos, alto, tenor, bass, orchestra
External Links Wikipedia article

Misc. Comments

  • Arcangelo Corelli led the orchestra in the first performance.
  • At the second performance, the role of Mary Magdalene was sung by a castrato owing to papal complaint, as women were forbidden to perform on the public stage in Rome. The replacement castrato was named "Pippo soprano della Regina," or Pippo, castrato in the former Queen Casimiri's service.