Piano Sonata No.3, Op.14 (Schumann, Robert)

Contents

Performances

Sheet Music

Scores

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Piupianissimo (2013/7/26)

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Ivdruiz (2009/12/31)

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Feldmahler (2006/2/24)

Editor Clara Schumann (1819-1896)
Publisher. Info. Robert Schumanns Werke, Serie VII: Pianoforte zu zwei Händen
Leipzig: Breitkopf & Härtel, 1887. Plate R.S. 52.I, II.
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Misc. Notes scan: score scanned at 600dpi (High Quality Scanning)
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Piupianissimo (2013/2/24)

Editor Adolf Ruthardt (1849–1934)
Publisher. Info. Werke für Pianoforte solo, Band V
Leipzig: C.F. Peters, n.d. Plate 7015.
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Misc. Notes scan: score scanned at 600dpi (High Quality Scanning)
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Carolus (2009/4/11)

Editor Max Vogrich (1852-1916)
Publisher. Info. Schirmer's Library of Musical Classics, Vol.104
New York: G. Schirmer, 1902. Plate 15961.
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David Campbell (2015/6/17)

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David Campbell (2015/6/17)

Editor Max Vogrich (1852-1916)
Publisher. Info. Schirmer's Library of Musical Classics, Vol.104
New York: G. Schirmer, 1902. Plate 15961.
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Misc. Notes This file is part of the Sibley Mirroring Project.
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Quasi Variazioni. Andantino di Clara Wieck (3rd mo.)

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Raybird (2021/11/15)

Editor Ray Alston
Publisher. Info. Ray Alston, 2021.
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Misc. Notes Variations on a theme of Clara Wieck Op 14 plus 2 discarded variations.
A creative and critical new edition including changes of key and time-signatures. High quality, re-worked text for maximum clarity and improved layout.
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General Information

Work Title Grand Sonata No.3
Alternative. Title Concert sans Orchestre
Composer Schumann, Robert
Opus/Catalogue NumberOp./Cat. No. Op.14
I-Catalogue NumberI-Cat. No. IRS 113
Key F minor
Movements/SectionsMov'ts/Sec's 5 originally, then 3
Year/Date of CompositionY/D of Comp. 1836, revised 1853
First Publication. 1836
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation piano
Extra Information 1853 revised restored a scherzo and retitled as Piano Sonata No.3

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According to Daverio, there were three versions-

5-movement sonata composed June 1836
Revised version published September 1836 (both scherzos dropped, new finale, retitled Concert sans orchestre)
Second (also?) and very substantial revision published in (but perhaps undertaken before) 1853, (very considerable revision especially of the first movement); entitled Grande sonate, with the second scherzo of the June 1836 sonata restored (but not the first - see Scherzo, H/K WoO 5,1). According to Daverio, throughout all this only the variations movement (on a theme of Clara Wieck (later Clara Schumann) remained basically untouched throughout all the revisions.) (Daverio: Robert Schumann : Herald of a "New Poetic Age", p.150.)