Adeste Fideles (Benoit, Peter)

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Recordings

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Synthesized/MIDI

MID file (audio/video)
Kris Van Bruwaene (2012/3/5)

Publisher Info. Kris Van Bruwaene
Performers Lilypond
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Sheet Music

Scores

PDF scanned by B-Ac
Cypressdome (2016/2/18)

Engraver Leipzig: C.G. Röder.
Publisher. Info. Vingt motets pour voix égales avec accompagnement d'orgue ou d'harmonium, No.17
Brussels: Schott frères, n.d. Plate S.F. 2385.
Copyright
Misc. Notes Original images: ca.300dpi, color jpg files approx. 3160 by 4030 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins.
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PDF typeset by Kris Van Bruwaene
Kris Van Bruwaene (2011/9/4)

ZIP typeset by Kris Van Bruwaene
Kris Van Bruwaene (2012/3/5)

Editor Kris Van Bruwaene
Publisher. Info. Kris Van Bruwaene
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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General Information

Work Title Adeste Fideles
Alternative. Title
Composer Benoit, Peter
I-Catalogue NumberI-Cat. No. IPB 1
Key G major
Movements/SectionsMov'ts/Sec's 1
First Publication. 1866 – Mainz/Brussels: Schott
(Hofmeister's Monatsbericht (1866), p.138)
Librettist Dom João IV de Portugal? (1604-1656)
Language Latin
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation voice (medium), female chorus (SSA) + organ ; soprano, mixed chorus, organ
External Links RISM 700010793 (ms copy at Brussels Library)

Navigation etc.

  • Originally published by Schott.
  • Though the van Bruwaene typeset attributes the words (possibly) to Joao IV de Portugal, Grove Music cites "more recent researches, notably those of Dom John Stéphan, of Buckfast Abbey, Devon, who in 1947 discussed a newly‐discovered MS of the tune in the handwriting of John Francis Wade , a Lat. teacher and music copyist of Douai (d 1786 ). Stéphan believed this to be the ‘first and original version’, dating from 1740 – 43 , and attrib. both words and mus. to Wade."
Copy at Brussels described by RISM (" S, Coro S, Coro A, Coro T, Coro B, S 1 (S solo), T 1 (A), V 1 (A), V 2 (T 2), V 3 (B), org") has mixed chorus, soprano solo, and several other voice parts? as well as organ. - Schissel